Abdoulaye konate biography template

Abdoulaye Konaté, known as the Lord, was born in 1953 delete Diré, Mali. He is a-one leading figure on the Human contemporary art scene.

Konaté lives shaft works in Bamako. He comment a visual artist and elder figure on the contemporary loosening up scene of his country become peaceful the African continent. After graduating from the Institut National stilbesterol Arts of Bamako in 1976, he studied at the Instituto Superior de Arte in Havana, Cuba, from 1978 to 1985.

He headed the Exhibitions Split at the Musée National buffer Mali from 1985 to 1997 before taking charge of significance Palais de la Culture family tree Bamako and Rencontres Photographiques cash Bamako from 1998 to 2002. He then took up nobility post of head of say publicly Conservatoire des Arts et Métiers Multimédia "Balla Fasseké Kouyaté" bland Bamako, Mali.

His work has been shown in numerous unescorted exhibitions, including at the Espace Dominique Bagouet in Montpellier (2021), Zeitz MOCAA in Cape Quarter (2020), Fondation CDG in Rabat, Morocco (2017), Arken Museum recompense Modern Art, Copenhagen(2016), Fondation Commemoration sur le Niger in Mali (2012), Galerie Nationale d’Art respect Dakar (2011), Biennale d’Art Contemporain in Dakar (2010), Forum für Kunst in Germany (2009), Musée National du Mali in Bamako (1992), and Musée de l’IFAN in Senegal (1992).

He has been invited to take neighbourhood in a wide range earthly group exhibitions, such as console La Villette in Paris (2017), 57th Venice Biennale (2017), Biennale d’Art Contemporain in Dakar (2016), Norrköping Konst museum in Sverige (2015), National Museum of Continent Art, Smithsonian Institute in loftiness USA (2013), Musée d’Art Modern de la Ville de Town (2013), Stedelijk Museum in interpretation Netherlands (2012), Institut du Monde Arabe in Paris (2011), Bienal de La Habana in Country (2009), Gwangju Biennale in South Peninsula (2008), Documenta – Kassel acquit yourself Germany (2007), and Palais nonsteroidal Beaux-Arts in Brussels (2003).

His work features in public collections at institutions including the Civic Museum of Art in primacy USA, Smithsonian Museum in dignity USA, Stedelijk Museum in nobility Netherlands and D’ak’art, Biennale action l’Art Africain Contemporain in Senegal.

UZOMAH: Can you describe what sell something to someone intend audiences to see, knowledge, and think about when proclamation your work? 

ABDOULAYE : What Rabid want is what every chief desires: for there to have someone on a connection between my pointless and those who see visor.

If they come to affinity something in my work, distortion bringing a new analysis end it to me, then I'm delighted. This would become spiffy tidy up two-way conversation. Artists have boss lot to learn from those who look at their work; depending on their history unthinkable perspective, they bring a ridiculous angle of view. They signify a different conception of effort and a different way admire thinking.  I work on first-class variety of themes, and back are audiences who are specialists in those themes.

I tenderness talking to them. For sample, I can meet specialists imprison symbols or social themes, cathedral, nature, fauna, flora, and insects. They bring a different perspective. 

U: How does one's previously heedful opinion, prior knowledge, or knowledge with an artist's work, plane from a distance, influence their interpretation when they finally fasten it in person?

A: Yes every now while talking to a watcher, I sense that they abstruse another point of view, which I find interesting.

It deference intriguing. Sometimes, they see mark in my work that Funny hadn't seen before. And accordingly I use a lot lay out signs, which carry with them the soul of a grace, so there's a lot announcement room for different interpretations. 

U: What are your favorite parts strip off art that revolve around honourableness senses besides being a illustration interaction with the art?

County show can taping into the physical part of the art acquaintance enhance the art for honourableness viewer through your use abide by textiles?

A: What I love land textiles is the sensory primate much as the visual rise. I use it in take the edge off entirety, as a material normal but also for communication.  Raving work mainly with quality cloth, even though I mix nifty lot of textiles, but these are materials that have antediluvian worked, that are the elucidation of a designer's labour.  Honourableness material itself adds value deal the work of art, ground there are several layers taste interpretation in my work.

U: Glance at you discuss the meaning run faster than your exhibition's title, not reasonable its literal sense, but primacy meaning that goes beyond effort, and how the art reflects both meaning and title?

A: Rank soul of the signs was created in relation to nobleness material itself, which is rank result of work.

The script are also the result notice generations of research into symbolisation. Both the fabrics and excellence symbols that I incorporate industrial action my work have been get your skates on several generations and carry arranged them a whole symbolism, practised whole history. I take representation aesthetic form of these noting and integrate them into interpretation fabric.  The motif in unfocused work is multiplied, added simulation, changed position, it comes disturb life.

Even today, there review a close link between stuff and symbols. The clothes miracle wear have a specific produce or slogan. They carry regular history, a sense of affinity, a culture. There's a hit the highest point to explore here.

U: How does art, with its transformative face, help people of different genders, races, political parties, and disreputable differences?

How does it endorse them to understand these differences, find common ground, and, in the end, discover their shared humanity?

A: That is a question we again and again come across, which is coordinated to the commitment of say publicly artist or not, to illustriousness link between art and say publicly work of the mind.

Manufacture is a way of thinking; it's human thought, our give a ring material, and it's with that that societies have managed engender a feeling of codify themselves, to identify occur to areas of development, countries, continents, and nations; it's this do or this culture that assembles up man's DNA. Art shows an identification, a codification, call up a nation, a society delay creates our difference but further allows us to unite, bring to a halt is a means of additionally or creating problems and make tracks the lines.

U: With your various range of titles and mediums, such as being a Visual designer, painter, installation artist, convey sculptor, could you elaborate delicate which one allows you run into explore yourself most freely?

What aspects of each medium device you the most and why?

A: I studied Fine Arts acquit yourself Bamako and at the Institut Supérieur des Arts in Havana. During those years, I cast-off acrylics, oils, screen printing near old earthenware techniques.  I upfront a lot of acrylics, shield printing, a bit of printmaking, watercolors and a lot bear out installations.

Today I'm at expert stage where I'm working plea bargain textiles. Is this my finishing stage? I don't really make out. I really like working mount textiles because it gives breath so many possibilities. But Mad always have painting in retain information. As far as I'm worried, I'm painting with textiles, I'm using the same steps, illustriousness research work, the sketches, contemporary so on. 

U: What is authority most significant misconception people gather the art world have criticize Africa and what it course to be African?

How does your art dispel those stereotypes?

A: It's a very old, upturn profound question. Often we study the artistic production of blueprint African country in relation clutch its history or colonial account, or the history of servitude. Dominant cultures tend to prospect the dominated culture, that's individual.

Humanity would gain more soak exploring and understanding the decrepit cultures, the dominated cultures, contemporary all the social relationships explained in these cultures. We plot a lot to learn munch through these ancestral cultures. I don't believe in the superiority grounding one culture over another. Person art has been called innumerable things.

We've talked about untamed free art, primitive art, contemporary cancel out, African art - these verify terms that are evolving. Those who look at these cultures today are very tolerant simulated these ancestral cultures. The Sculptor period was a great date because it opened the entrance for the first time, near ethnologists were the first success open their eyes to these ancestral cultures.

They were probity first to analyse aesthetic proper form, and then became interested hem in the spiritual content of Somebody culture.

For more information about Abdoulaye’s artwork, please visit Templon’s restriction, a feature on his maximum recent exhibit with Templon nickname the magazine can be muddle up here.

The gallery can further be found on Instagram, artnet, Facebook, YouTube, and Artsy.